Pokemon Sprites Buildungs

Adrenal Medulla Pheochromocytoma Catecholamine & Beauty treatments

My Expo this time in this matter (at least I set only once)

Adrenal Medulla

View more presentations from Diana Alvarado .

Bladder Infection With Brownish Discharge

Speaking of treatments to cover some wrinkles, we have the Botox . Yes, this substance acclaimed by great artists who already have their years. But what is it, and actually work?
Well actually, it has isolated a substance that primarily it was something that was once synonymous with disease: botulinum toxin. So doctor to be sure it works.
Thanks to advances in the aesthetic (and anyone you can think this use) is like in small doses, now represents only an effective method to reduce those fine lines that both scares people, mostly aged 40 years. Small
needles that inject the substance, and block the transmission of muscle, briefly paralyzing. Sounds a little drastic, but it is actually very easy, especially not greater danger is that a possible "bruise" no need to take extra, rather than receiving treatment to try to refrain from sunbathing or force the affected zone . The only drawback (a little) is that the effect lasts 4 to 6 months, so you will need to be consistent if you want a long-term effect. I personally is not something that catches my attention, because I have 23 years, and my face still is not punished. But it is a good choice for people aged between 30 and 40 years (since this is one of the recommendations), who wants to feel a little younger, and this helps to build self-esteem, just remember seeing a professional. For more information, one option is VISTABEL.

Milena Velba Free Mp4

Reflections and possible solutions. Video

After being in the Centro Parraga and have pre-released the piece, there were many interesting conversations about Avatar * a fun night subsequently Murcia. Criticism, always constructive, we greatly appreciate, because they make us think, rethink, routing and improve our ideas.

The first debate, with John Nicholas (Párraga center director) and other friends for dinner later, was the ability to guide the discussion at the end of the show in different ways as we have done so far . Until now, when the public was already settled in the room, just before the start, we drove to them informally (Mario normally do) and very quickly we informed them that at the end of the show, we would like to open a debate, discussion or debate with the audience who stay to think, ask or suggest anything. Our idea was obviously not force anyone to this lecture or symposium, but since both Mario and Roman are located at the control desk quite near the stage, we found that this constituted a major barrier to freedom to leave people out that he did not want to stay at this talk and leave the area without more. Also, start this talk / conference right after the show can be a bit violent for some (including ourselves, because obviously we are in a somewhat altered state after having acted for many people). To solve these logistical problems, we decided that from now on, give you 10 little minutes for the public output (cigarette, including comments, etc), so then, more calmly and freely, those interested can go back to the room and who does not have any commitment to re-enter.
think that with this new method we will all be quiet and nobody will feel obliged led to this part of the evening, it is not our goal, and it is likely that some want to go home with good or bad taste of the show without give an opinion immediately. And for those who want it, you can always communicate with us more comfortable (even anonymously) through the blog, a posteriori.

On the other hand, another of the debates of the night was the "content" of the piece . discourse.
For some, lacking a speech or content. For others, dance along with the visuals, because they were suggestive enough and let your imagination toward a content and / or explanation also transferable.
Obviously, for us, yes there is a discourse on the back and we worked our way, we think every artist should do, but it is true, then theorizing about what you do, and more about the language of dance, is complicated. Dance is
ephemeral language, personal and / or abstract, which for some is a bit annoying, the need to "want to understand" what has or intends to have in a "narrative", and yet for others, this same premise represents an open window and an invitation to each viewer put the last bit to give meaning and coherence final, equally abstract and difficult to explain personal. The dance shows feelings that are difficult to capture in words. Dance is ephemeral and highly complex (or basic) as you look. And when also accompanied by visual, light, music, silences, pauses, symbols, etc ... becomes an experience highly stimulating to the senses and perhaps it is difficult for the logical and rational understanding. My premise is that my dance is open to final contamination by the viewer finally give an opinion or a unique and personal.

However, on modern dance, and more on a project of this style which combines different techniques and one in which the process is as important as the outcome, I contend that it can (and should) have a speech, containing part of the artist which may be exposed to public from there begin a dialectical debate.
Maybe it's the weak point of many who work in field of dance: to expose our ideas into words.
Maybe it's time we all reflect and try to give a more understandable to the public and to ask ourselves what we want to present our process and our results. This, of course (and in my opinion) should never watch or disrupt the very magic of dance, movement and feelings that they cause. But it is possible to extend the premises, the pattern and final content of the material presented. And much more when you propose a talk at the end.

The conclusion to all these thoughts after the presentation of Avatar * Center Párraga in Murcia, is that in these days we are working on trying to make a small exhibition or presentation of what have been our key points in creating the piece, by way of introduction to that final conversation. We believe it is important to give a context and from there get people reviewing and / or questions. It will be difficult, because when you get full in trying to create a short speech about your job, you realize that there are thousands of details and refinements are difficult to explain and trapping in oral speech. We will continue working on it and of course the piece itself.

Many thanks to everyone s who felt, questioned, and criticized that night.
continue to believe, and that's what matters.
(By the way, if you read me who were with us that night, please give me your personal mail, because I have some photos your / our of the bars, which will send you happy).

soon, Avatar * in Oporto.
26 November. Frame Festival. Teatro Helena Sá e Costa, Porto (Portugal)
will report. Good

next week everyone! Ma

Pokémon May Doujin

summary / Pre-Release Center

Hello people!. In Barcelona we have been going a bit to look more distant all the images that we recorded in our pre-owned residence in the center Parraga . The material is recorded with a camera Sony Handycam HDR-CX105 which is very good, value for money. For me only has one catch is that there is little angular and need a long distance to record and cover the whole scene, which lose much quality in dark moments (Sure there are other more accurate explanation, lol). Cameras

aside, there are several items that catch my attention and appear this time in the videos we recorded, for example: the doors.

We made a little video a little more work than we usually do for us to serve as both promotional and summarize our work in Murcia, I hope you enjoy;)

Rt * /

Western Chicken Gropped

Parraga Technical Requirements. Part 7: Vision Computer (Hardware)

How about people!. After a few mounts we carry with Avatar * Parraga center and arrived in Murcia, we picked up a bit of experience in the electronic "machine vision" or use a motion sensor camera. Therefore, I would once again continue with the post dedicated to "technical requirements", in which you want to talk today of hardware that I think is best for this type of project and their pros and cons.

As you know, to detect motion, we used the technique of infrared vision to affect us any other type of light or mark that can confuse your camera lens that interests us is the person who is in scene.

Camera:

There are many types of cameras, thousands more. I think a lot of jogging back and forth the best option is a standard camera in B / N and composite video output, monitoring of life, something that is almost hard to find in stores but that in turn represents our cheapest option. It is important to have a good quality image, but actually most of them already have, even if China, as in our case. However, the better are more defined and sometimes you will come in handy.

One of the reasons why we have this type of camera is its robustness and simplicity, anywhere in the world you'll find a long RCA or BNC cable and no problem to ask wherever you go, contrary to what you could go with a firewire or usb, which should amplify it when you go over a few meters. Not to mention the price of a long firewire cable. Logically, if you need space and want to hide your camera because yours is an installation in a confined space, you might have better options and this will perhaps be a little "rough."

Features needed:

-White and black.

-standard optics.

-Gain manual.

-BNC or RCA connection.

standard support-thread.

This camera shop at Radio Onda in Barcelona and it cost me about 70 €.

Varifocal Lenses:

In the case of lenses is important to have all possible options for opening, because sometimes you go to sites that are not as high as you like and that can be a headache if you want to cover the entire space projection. In our case, we have recently acquired a lens 2.8 to 12mm with a focus 1.4, manual iris and a viewing angle of approximately 105 º, it allows us to hurry up viewing space.

lens acquired it in Seguridadplus and not have cost about 70 €.

Infrared filter :

There are several types of infrared filters, but we are interested in anyone who correctly filter all light other than infrared. There are several ways to get one, I have several different routes, one to buy it on ebay and was to be combined with Sony cameras, this was the cheapest I found, but is small for our lens and in the end we did not use, about 12 €.

Another option is to cut filters, but honestly I have not found and not on the Internet, which ultimately end up opting for the expensive option but certainly the most reliable, camera filter, hoya type .

The that we have is not one of this brand but the quality is the same, the brand is B + W and cost me about 80 € here in Barcelona, \u200b\u200bcarito filter.

Support of infrared light:

At first, we thought to use infrared light provided by 3 spotlights almost invisible, but these, which had served me great for lower parts, it falls far short of the heights that we use. The case is available as one, we set out to buy two more, but in the end we found the best solution of all: Use own infrared light emitted by regular incandescent bulbs in scenic areas. For this we chose a panorama type picture, so-called symmetric and we put a filter in RGB color, creating a kind of black, to cover as much as possible visible light and let the spectrum of infrared light to illuminate and help us see in total darkness conditions. A simple way to use the theatrical equipment to carry fewer things well and be safer.

Computer Connection:

To connect the composite video camera, you will need a converter card that can be USB or Firewire, and in the case of Pc there are plenty of models like this one that teng o. In Mac is not much, but what's there works without drivers, reliably and via firewire, I will not hide my flipadura with Apple now, but my experience in this area is quite ominous in Windows. In our case we use a Canopus ADVC-55 , ranging from death and is light and sturdy, plus I think it is compatible with PC. Price approx. 200 €.

I hope I have described with some precision the materials we use as a motion sensor, there are many more options, may be better for other facilities and will probably forget many details and I am sure you more questions arise. .. We are happy to answer in this thread or via mail, as usual. ;)

Cheers

Rt *

Kates Playgorund Clit Shot

Mario annotations.

Mario G. Sáez a founding member of Erre que Erre besides being a great friend. Joins us from the principles in this project supported in different ways (his contribution ranges from tedious office functions to the most creative and critical of the piece). Have you ever made any entry in this blog (to remember you can click here ) . He represents

Avatar * that "external view" of which we speak and we need both, and also now an essential part of the piece when we represent, and throwing, click and manipulate live music with Roman in the control table. Its position in the Avatar * suffers dichotomy of being inside and outside of the piece. We commend his temperance, and we always consider your views.
So today, the entry of this blog is done by him. Then cut and paste a file in which makes him a report of the pre-premiere at the Centro Parraga, with his notes and feelings of those days.

Thanks Mario.
ma * / Rt *.

AFTER THE PREVIEW OF ANNOTATIONS AVATAR * EN EL CENTRO DE MURCIA PARRAGA. 5 AND 6 NOVEMBER 2009. By Mario G. Sáez.

The piece has gained pace, shape and internal consistency and the public liked, at least that we can infer from the applause and comments: "a very smooth dance," "organic," manages to give warmth to an element as cold as can be the technology "," very well integrated movement, pictures, lighting, sound and music "... Given this enthusiastic reception consideration of whether the outcome is equipped with content or not.

Content

-theoretical level. Some of the contents displayed on the blog, but more especially at the creative process (and technical) and should highlight and develop the conceptual framework and reference. (Research and extension of the content ahead of a possible publication, emphasizing the representation, the virtual, the duality of man-machine-body technology, the identity / identities ...).

-content in the structure and performance of the piece, (greater differentiation of parts, more interactivity with sound, costumes ...) Once

-generated content (speech) know how to communicate. Prepare a presentation.

Personally I think the content is present in exercise room and also the interaction between dance and technology, if you read the three different parts and travel by different states or different incarnations or avatars representations expressed through the body, movement and emotional state in which the interpreter is located, but may continue to deepen it and make it explicit without being explicit.

The opening of a symposium at the end of the piece is very interesting, but would have to prepare the speech in the form of presentation and if there are no questions, especially temporarily separate the end of the piece itself, allowing the public can not stay the same if not interested or do you prefer to take just the feeling of having seen the piece without more information.


CONCERNING SOUND AND MUSICAL
(song, artist and album)

Haliod_Xerrox_Copy 9, Alva Noto, Vol.1 Xerrox

Heart, Byetone, Death Of A Typographer

Plastic Star (Session), Byetone, Death Of A Sap

Typographer thousand wounds, TAIGA, TAIGA

Meadow, The Sound of Cologne, Vol.4

Exotica, The Sound of Cologne, Vol.4

Hyönteisistä, Pan Sonic, Katodivaihe

You, Me And The End Of Everything, Ben Frost, Steel Wound

Soon will have a new post Roman rise to technical blog. Thank you for continuing
there and read us.
ma *