Mario G. Sáez a founding member of Erre que Erre besides being a great friend. Joins us from the principles in this project supported in different ways (his contribution ranges from tedious office functions to the most creative and critical of the piece). Have you ever made any entry in this blog (to remember you can click here ) . He represents Avatar * that "external view" of which we speak and we need both, and also now an essential part of the piece when we represent, and throwing, click and manipulate live music with Roman in the control table. Its position in the Avatar * suffers dichotomy of being inside and outside of the piece. We commend his temperance, and we always consider your views.
So today, the entry of this blog is done by him. Then cut and paste a file in which makes him a report of the pre-premiere at the Centro Parraga, with his notes and feelings of those days.
Thanks Mario. So today, the entry of this blog is done by him. Then cut and paste a file in which makes him a report of the pre-premiere at the Centro Parraga, with his notes and feelings of those days.
ma * / Rt *.
AFTER THE PREVIEW OF ANNOTATIONS AVATAR * EN EL CENTRO DE MURCIA PARRAGA. 5 AND 6 NOVEMBER 2009. By Mario G. Sáez.
The piece has gained pace, shape and internal consistency and the public liked, at least that we can infer from the applause and comments: "a very smooth dance," "organic," manages to give warmth to an element as cold as can be the technology "," very well integrated movement, pictures, lighting, sound and music "... Given this enthusiastic reception consideration of whether the outcome is equipped with content or not.
Content
-theoretical level. Some of the contents displayed on the blog, but more especially at the creative process (and technical) and should highlight and develop the conceptual framework and reference. (Research and extension of the content ahead of a possible publication, emphasizing the representation, the virtual, the duality of man-machine-body technology, the identity / identities ...).
-content in the structure and performance of the piece, (greater differentiation of parts, more interactivity with sound, costumes ...) Once
-generated content (speech) know how to communicate. Prepare a presentation.
Personally I think the content is present in exercise room and also the interaction between dance and technology, if you read the three different parts and travel by different states or different incarnations or avatars representations expressed through the body, movement and emotional state in which the interpreter is located, but may continue to deepen it and make it explicit without being explicit.
The opening of a symposium at the end of the piece is very interesting, but would have to prepare the speech in the form of presentation and if there are no questions, especially temporarily separate the end of the piece itself, allowing the public can not stay the same if not interested or do you prefer to take just the feeling of having seen the piece without more information.
CONCERNING SOUND AND MUSICAL
(song, artist and album)
Haliod_Xerrox_Copy 9, Alva Noto, Vol.1 Xerrox
Heart, Byetone, Death Of A Typographer
Plastic Star (Session), Byetone, Death Of A Sap
Typographer thousand wounds, TAIGA, TAIGA
Meadow, The Sound of Cologne, Vol.4
Exotica, The Sound of Cologne, Vol.4
Hyönteisistä, Pan Sonic, Katodivaihe
You, Me And The End Of Everything, Ben Frost, Steel Wound
Soon will have a new post Roman rise to technical blog. Thank you for continuing
there and read us.
ma *
-content in the structure and performance of the piece, (greater differentiation of parts, more interactivity with sound, costumes ...) Once
-generated content (speech) know how to communicate. Prepare a presentation.
Personally I think the content is present in exercise room and also the interaction between dance and technology, if you read the three different parts and travel by different states or different incarnations or avatars representations expressed through the body, movement and emotional state in which the interpreter is located, but may continue to deepen it and make it explicit without being explicit.
The opening of a symposium at the end of the piece is very interesting, but would have to prepare the speech in the form of presentation and if there are no questions, especially temporarily separate the end of the piece itself, allowing the public can not stay the same if not interested or do you prefer to take just the feeling of having seen the piece without more information.
CONCERNING SOUND AND MUSICAL
(song, artist and album)
Haliod_Xerrox_Copy 9, Alva Noto, Vol.1 Xerrox
Heart, Byetone, Death Of A Typographer
Plastic Star (Session), Byetone, Death Of A Sap
Typographer thousand wounds, TAIGA, TAIGA
Meadow, The Sound of Cologne, Vol.4
Exotica, The Sound of Cologne, Vol.4
Hyönteisistä, Pan Sonic, Katodivaihe
You, Me And The End Of Everything, Ben Frost, Steel Wound
Soon will have a new post Roman rise to technical blog. Thank you for continuing
there and read us.
ma *
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